Friday, June 24, 2011

Black Freighter @ Abadi Art, New Delhi


Then they pile up the bodies/And I'll say/"That'll learn ya!" 


This was the first of two performances at Abadi Art Space in New Delhi. This was covered in TimeOut Delhi, and the second, encore performance was followed by a talk concerning the nature of choreography and working in collaboration with visual artists.

SONG: Pirate Jenny, by Nina Simone

Originally from Kurt Weil's Two Penny Opera, this song speaks to the frustrations of the exploitation by the wealthy, with obvious connections to both the conditions of Black people in America and the masses of oppressed in contemporary India. The sweeping here was inspired by the women in Delhi who literally bend over and sweep up the crap left each day. Many of the poses here come directly from the garbage lady who appeared at my door each morning, carting away our unmentionables, for very meager pay. I announced this performance as a way for folks to rid themselves of the skin bleach phenomenon by bringing along the packaging and I'd sweep it up and throw it out, as one means to help cleanse ourselves of this social ill. All this came together in this art space with this oppositional gaze. You can read more about the performance in the TimeOut piece posted below.

You people can watch while I'm scrubbing these floors 

And I'm scrubbin' the floors while you're gawking 
Maybe once ya tip me and it makes ya feel swell 
In this crummy Southern town 
In this crummy old hotel 
But you'll never guess to who you're talkin'. 
No. You couldn't ever guess to who you're talkin'.


And the conclusion to this performance:


Tuesday, June 21, 2011

The Everydayness of it All @ M.F. Hussain Gallery, new Delhi

SONG: Everything is Everything by Lauryn Hill.

This critical Hip-Hop song carries the essence of rap music, distinct from the commercial rap popularized around the world In this choreo-installation -my second collaboration with Dalit muralist Savi Sawakar- I look at the everydayness of walking down the street, donning all of the various bodies surrounding me. One aspect of my life in Delhi was the gawking, the glaring that made me aware of my social difference each time I stepped in public. At the same time, I longed to see the world around me, but often felt isolated by the stares, made into a human exhibit, a Hottentot as people would literally stop and stare, pint and discuss me, talk at me, but only rarely talking to me. In this piece, I engage in a dialogue with all those people around in public space, and re-create this dialogue within the context of Savi's images which depict India's 'untouchable, inside a gallery named after a Muslim artist who often depicts the lives of the Hindu majority, reflecting the tension in majority/minority power relations that fall into the background of our everyday lives.

Voice For Voiceless exhibit @ M.F. Hussain Gallery


Outside the M.F. Hussain Gallery at Jamia Milia University, New Delhi 

Sunday, June 19, 2011

Black Dance Workshop, New Delhi with Malena Amusa


The Amazing Combination of Michael Jackson with LIVE Tabla is remarkably invigorating and an unmatched cross-cultural dialogue of love and trust

Summertime/Shop-till-You-Drop: A choreo-installation, New Delhi


Summertime, and the living is easy/Fish are jumpin'/An the cotton is high/Oh yo' daddy's rich/And ya ma is good lookin'/So hush....

Summertime, from the 1935 opera Porgy and Bess- a quintessentially American work- has always touched me on many levels and I have longed to perform alongside many of its many iterations. Here is one of my favorite renditions, by Mahalia Jackson. Here I interpret the lyrics to show my contempt for modern consumerism. The prettiness of the consumer life often masks the self-hate of using money to buy happiness. Shop-till-You-Drop dead, shame and life. Or not.



My Man's Gon'

SONG: My Man's Gone Now, from Porgy and Bess (1935), performed here by Nina Simone



'We Can Change the World' @ Choreotheque Dance Studio, Delhi

SONG: We Can Change the World by Michael Jackson, choreographed and performed by team Choreotheque, New Delhi

'If We Must Die a choreo-poem ode to Claude McKay

'

TimeOut Delhi spread on encore performance of Black Frieghter

TimeOut Delhi coverage of Black Freighter performance at Abadi Art Space, New Delhi
Click here to read the article online!

Electric Slide Demo: Confunkshunizya


SONG: Confunkshunizya by Con Fuck Shun

Electric Slide Tutorial: Get Up Offa That Thang

SONG: Get Up Offa That Thang by James Brown

You Be Blessed: original music and dance by Diepiriye Kuku

SONG: You Be Blessed. choreography song composed and performed by Diepiriye Kuku

'Make You Dance' rehearsal: Adji, by Black So Man

SONG: Adji by Black So Man

Durga Puja performance, New Delhi: Sex Shooter


SONG: Sex Shooter by Apollonia SIx

Durga Puja performance, New Delhi: Suga Mama

SONG: Suga Mamma By Beyoncé

Lalit Kala Akedemi, New Delhi: Four Women, Ain't I a Woman, Ego Trippin'


'A Change Gon' Come' @ MF Hussain Gallery

Introduction by Lokesh Jain @ MF Hussain Gallery 
Second collaboration with muralist Savi Sawakar
with dancers from Choreotheque Dance Studio
SONG: A Change Gon' Come, written by Sam Cooke, performed by Aretha Franklin